I read a lot of poetry at university. I wrote some too. Recently I found some old poems I had written in my bedroom. Reading them again made me want to gouge my eyes out. Straight, white, upper-middle class 21 year old men should not be allowed to write poetry.
A lot of the poetry I enjoyed at university was from the Romantic era. Byron, Shelley, Wordsworth and the lads. Or beautiful rhyming poems like those by William Butler Yeats and The Ballad of Reading Gaol by Oscar Wilde – a banger. But my favourite was, and still is, Irish poetry. Poems about rural life and catholic Ireland. Seamus Heaney shit.
I read Heaney over and over at university, and I still read him. But I remember I wanted to branch out and buy a book of poems by another Irish poet – one I’d never heard of. So I went to my favourite shop in Dublin city, Books Upstairs (the old location on Dame Street), and went to the Irish poetry section. I quickly browsed the shelf until I saw a book of poems by Bernard O’Donoghue. I’d never heard the name before. Lovely, I thought, pulling the book down and only reading the name and nothing else. Straight in my basket.

On the DART home I read the book a few times, sometimes stopping to look out the window because a line had taken me by surprise. I loved the book so much I went back the next day and bought more by Bernard O’Donoghue. And loved those books too.
I wondered why I’d never heard of him, and why in school we had to study Robert fucking Frost and his metaphorical walls and roads, and not the likes of Bernard O’Donoghue, who described things I could see again or made me love home.
For some reason, I assumed O’Donoghue was dead. All the best poets are dead. But a quick Google search told me that Bernard O’Donoghue was alive and kicking. He was also the head of English at Oxford. So I wrote a letter to him. (I was going through a strange letter writing phase. The most embarrassing one I can remember writing was to Richard Dawkins after reading The God Delusion. Every time I remember that letter I wish to be hit by a bus to ease the cringe-filled pain.)
I wrote to Bernard O’Donoghue and told him I loved his poetry and that I was interested in studying poetry further – maybe even for a Masters once I was finished my BA in English. I told him I’d love to go to Oxford, but asked if he knew any other good spots to study poetry because I didn’t think I’d get into Oxford. I even sent him some poems and a short autobiographical story.
Bernard O’Donoghue wrote back to me a few weeks later. He said he liked my poems, particularly the one about my dog. But he said my story was better. He said he liked my writing style and said that I “showed a command for prose.” I was absolutely fucking chuffed with that. It meant the world to me.

At the end of his letter, Bernard O’Donoghue told me that I should look into studying Creative Writing rather than poetry. Ever since I was a kid I dreamed of writing a book. When I was three I wrote one called Fly Away With The Birds on pages of A4 computer paper and illustrated it with little drawings. I’ve no idea why it’s about flying away with birds. But I enjoyed writing it and illustrating the clouds and the birds which I drew as capital Ms. Then I taped the pages together with black electrical tape so it opened like a real book. My sister still has it.
In his letter, Bernard O’Donoghue told me to apply to the University of East Anglia in Norwich. He said he considered it the best college in the UK for studying a masters in Creative Writing. Hearing that from the head of English at Oxford, where they also offer a masters in Creative Writing, I knew that UEA had to be good.
A couple of months after receiving his letter, Bernard O’Donoghue gave a talk to first year English students at UCD. I got the time wrong and arrived an hour late – he was already gone. So I ran to the school of English office and asked if O’Donoghue was still on campus. He had gone for tea I was told, and had left his briefcase in the office, so he’d have to be back. I sat down next to his briefcase and waited.
Soon he arrived and I asked him to sign my books of his. He said he remembered my letter, and told me again that he had enjoyed the short study I had sent, and asked if I had given a Masters at UEA any thought. That blew me away. I doubt he remembers me know, but to have been remembered that day left me in awe of him.
It made me think I could try writing, or any form of storytelling as a career. So much so that I entered a competition in university called The Maeve Binchy Travel Award, where the winning proposal for a creative writing or storytelling project won funding from Maeve Binchy’s widower – the children’s author Gordon Snell – to travel and work on a story.
And I was chosen. The first undergraduate to win. It was some feeling. With the funding I went to West Africa for a few months and worked on a story that I hope to finish some day.

That prize was an amazing feeling, and only made me believe even more. So I went back to Bernard O’Donoghue’s letter and decided to look into a Masters at UEA. After doing some research, I applied and sent them a story. Then I got an interview and was offered a place to study Creative Non-Fiction and Biography writing. I was so fucking excited.
My year at UEA was one of the best years of my life. I met lovely, brilliant people who became friends and only made me want to make a living from writing even more. It’s not easy though. People aren’t really hiring writers in the same way they used to. The landscape has totally changed. But there’s always a way in and I believe that.
And all because of that random day in the book shop, and the letter. Mad buzz.
Thank you, Bernard.









